You Have to Be a Little Bit Stupid

I traveled to Stockholm to ask photographer Anders Petersen how he takes his photos — and got a some very different answers than I expected.


For the newest episode of Available Light (Apple Podcasts/Soundcloud/Google Play), I spoke with Swedish photographer Anders Petersen about his unique approach to photography.

It’s part of a famous series taken at a bar in Hamburg’s red light district in the 1970s. “Café Lehmitz” — often referred to as one of the most important post-war publications in photography — not only portraits the microcosm of the bar, but also the humanity of the misfits who went there.

This particular photo seems to ask a hundred questions: Who are the people on it? Did something happen between the man and the woman? Have they ever even spoken? And how was that picture even taken? It is so direct and so intimate that I had a hard time imagining a photographer was even present.

Nothing but Curiosity, a Camera, and Presence

Anders Petersen got famous for exactly that: For taking true-to-life pictures that reveal his subjects’ raw humanity. By embedding in places like this (he would go on to do it at an amusement park, a prison, a mental hospital, or cities around the world), he invented a new perspective in photography.

But how does he do it? Or more generally: How do photographers like him manage get to know people with nothing more than their sense of curiosity, their camera, and their presence?

I reached out to Anders Petersen and he invited me to ask him my questions over a coffee in his Stockholm studio. Never one to turn down a trip to Sweden, I booked myself a flight and went.

The studio is located in Stockholm’s old town, in an unassuming basement apartment that’s a couple hundred years old. Packed to the ceiling with photo negatives, prints, and albums, it was an amazing backdrop for our conversation.

Here are my main take-aways from the conversation.

The Approach to Taking Photos in a New Place

“It’s simple: I don’t have any information about the place before. That’s the idea. I want to be surprised by the unpredictable. I want to be so surprised that it feels like standing with my back against the wall. I want to have the eyes of a child when I go into places for the first time.”

Develop a Relationship with Your Subjects:

“If you act naked in front of people — even if they’re famous killers — they recognize that. In themselves as well. And then you can have a kind of relationship.“

The Camera Acts as a Tool:

“The camera is a key that opens up doors. That’s why I was invited to enter a prison — it would be completely impossible if I wasn’t a photographer. But more than that: I used the camera to get knowledge. I’m not looking for the beautiful picture, but for insights. I’m looking for myself.”

Trust Is Everything:

“When I start taking pictures, I immediately tell people what I’m doing there and why. I show my camera the first second, tell them what I want to do and ask them if they want to join in. After a few days I go home, develop my films, make small prints, and take those back to show what I’m doing and give them away.”